Artwork

(From Left to Right) Emily Au, Halved, 2022. Porcelain. Erika Selby, Risky Biz, 2022. Digital print. Erika Selby, Risky Biz Pt. 2, 2022.  Digital print. Erika Selby, Ford-Esque 22, 2022. Vegan Tanned Leather, Black Gloss Spray paint. 

 

(From Left to Right) Emily Au, Halved, 2022. Porcelain. Taylor Elliot, Isoloation Online, 2022. Insulation foam, aluminum, wood panel, tablet, USBC charger, wallpaper, curtain rod, and curtain.

 

Emily Au, Halved, 2022. Porcelain. 

 

Emily Au, Halved, 2022. Porcelain. 

 

(From Left to Right) Erika Selby, Risky Biz, 2022. Digital print. Risky Biz Pt. 2, 2022. Digital print. Ford-Esque 22, 2022. Vegan Tanned Leather, Black Gloss Spray paint. Groovy Baby, 2022. Digital print. Rhythm & Blues, 2022. Digital print. 

 

Erika Selby, Ford-Esque 22, 2022. Vegan Tanned Leather, Black Gloss Spray paint.

 

(From Left to Right) Erika Selby, Groovy Baby, 2022. Digital print. Rhythm & Blues, 2022. Digital print. 

 

(From Left to Right) Erika Selby, Risky Biz, 2022. Digital print. Risky Biz Pt. 2, 2022. Digital print.

 

(From Left to Right) Kimberley Rogers, PLEASE DON’T TOUCH THE ART,  Po, the red teletubby, 2022. Mixed media on Masonite board. PLEASE DON’T TOUCH THE ART, Just Monkeying Around, 2022. Cardboard and hot glue. PLEASE DON’T TOUCH THE ART, Troll Doll, 2022. Mixed media on Masonite board. 

 

Kimberley Rogers, PLEASE DON’T TOUCH THE ART,  Po, the red teletubby, 2022. Mixed media on Masonite board. 

Please touch the art
The artist is asking that viewers take a moment to touch and interact with this work and unleash their inner child. 

 

 

Kimberley Rogers, PLEASE DON’T TOUCH THE ART, Just Monkeying Around, 2022. Cardboard and hot glue. 

 

Kimberley Rogers, PLEASE DON’T TOUCH THE ART, Troll Doll, 2022. Mixed media on Masonite board. 

 

Tabitha Holloway,  Childhood Revisited, 2022. Fabric and yarn. 

 

Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. 

 

Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. 

 

Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. 

 

Hannah Leal, A Monstrous Coming of Age, 2022. Oil and acrylic on canvas, jewelry wire. 

 

Hannah Leal, A Monstrous Coming of Age, 2022. Oil and acrylic on canvas, jewelry wire. 

 

Nick Taglione, It's All There, 2022. Film photography with manual and digital manipulation. 

 

Taylor Elliot, Isoloation Online, 2022. Insulation foam, aluminum, wood panel, tablet, USBC charger, wallpaper, curtain rod, and curtain.

 

Taylor Elliot, Isoloation Online, 2022. Insulation foam, aluminum, wood panel, tablet, USBC charger, wallpaper, curtain rod, and curtain.

 

Taylor Elliot, Isoloation Online, 2022. Insulation foam, aluminum, wood panel, tablet, USBC charger, wallpaper, curtain rod, and curtain.

 

Taylor Elliot, Isoloation Online, 2022. Insulation foam, aluminum, wood panel, tablet, USBC charger, wallpaper, curtain rod, and curtain.

 

Mariah Angel, Within the Woods, 2022. Ink, acrylic and water colour paper. 

 

Hope Johnstone, Shelter Cats, 2022. Coloured pencil on black drawing paper, alcohol markers and coloured pencil on marker paper, and yarn. 

 

Morgan Elizabeth Kazi, Emptinest, 2022. Ink on bristol and cartridge. 

 

Sarah Cecchini, Distorted Dreams, 2022. Chicken wire, plaster cloth, sheer fabric, and embroidery thread. 

 

(From Left to Right) Mariah Angel, Within the Woods, 2022. Ink, acrylic and water colour paper. Sarah Cecchini, Distorted Dreams, 2022. Chicken wire, plaster cloth, sheer fabric, and embroidery thread. Morgan Elizabeth Kazi, Emptinest, 2022. Ink on bristol and cartridge. Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. Emily Au, Halved, 2022. Porcelain.  Taylor Elliot, Isoloation Online, 2022. Insulation foam, aluminum, wood panel, tablet, USBC charger, wallpaper, curtain rod, and curtain.

 

(From Left to Right) Nick Taglione, It's All There, 2022. Film photography with manual and digital manipulation. Sarah Cecchini, Distorted Dreams, 2022. Chicken wire, plaster cloth, sheer fabric, and embroidery thread. Mariah Angel, Within the Woods, 2022. Ink, acrylic and water colour paper.  Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard.