Gallery
(From Left to Right) Erika Selby, Risky Biz, 2022. Digital print. Risky Biz Pt. 2, 2022. Digital print. Ford-Esque 22, 2022. Vegan Tanned Leather, Black Gloss Spray paint. Groovy Baby, 2022. Digital print. Rhythm & Blues, 2022. Digital print. Emily Au, Halved, 2022. Porcelain. Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. Kimberley Rogers, PLEASE DON’T TOUCH THE ART, Po, the red teletubby, 2022. Mixed media on Masonite board. PLEASE DON’T TOUCH THE ART, Just Monkeying Around, 2022. Cardboard and hot glue. PLEASE DON’T TOUCH THE ART, Troll Doll, 2022. Mixed media on Masonite board. Sarah Cecchini, Distorted Dreams, 2022. Chicken wire, plaster cloth, sheer fabric, and embroidery thread. Hannah Leal, A Monstrous Coming of Age, 2022. Oil and acrylic on canvas, jewelry wire. Tabitha Holloway, Childhood Revisited, 2022. Fabric and yarn. Mariah Angel, Within the Woods, 2022. Ink, acrylic and water colour paper.
(From Left to Right) Kimberley Rogers, PLEASE DON’T TOUCH THE ART, Troll Doll, 2022. Mixed media on Masonite board. Hannah Leal, A Monstrous Coming of Age, 2022. Oil and acrylic on canvas, jewelry wire. Emily Au, Halved, 2022. Porcelain. Tabitha Holloway, Childhood Revisited, 2022. Fabric and yarn. Sarah Cecchini, Distorted Dreams, 2022. Chicken wire, plaster cloth, sheer fabric, and embroidery thread. Nick Taglione, It's All There, 2022. Film photography with manual and digital manipulation. Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. Mariah Angel, Within the Woods, 2022. Ink, acrylic and water colour paper.
(From Left to Right) Taylor Elliot, Isoloation Online, 2022. Insulation foam, aluminum, wood panel, tablet, USBC charger, wallpaper, curtain rod, and curtain. Erika Selby, Risky Biz, 2022. Digital print. Risky Biz Pt. 2, 2022. Digital print. Ford-Esque 22, 2022. Vegan Tanned Leather, Black Gloss Spray paint. Groovy Baby, 2022. Digital print. Rhythm & Blues, 2022. Digital print. Emily Au, Halved, 2022. Porcelain. Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. Kimberley Rogers, PLEASE DON’T TOUCH THE ART, Po, the red teletubby, 2022. Mixed media on Masonite board. PLEASE DON’T TOUCH THE ART, Just Monkeying Around, 2022. Cardboard and hot glue.
(From Left to Right) Tabitha Holloway, Childhood Revisited, 2022. Fabric and yarn. Nick Taglione, It's All There, 2022. Film photography with manual and digital manipulation. Sarah Cecchini, Distorted Dreams, 2022. Chicken wire, plaster cloth, sheer fabric, and embroidery thread. Mariah Angel, Within the Woods, 2022. Ink, acrylic and water colour paper.
(From Left to Right) Sarah Cecchini, Distorted Dreams, 2022. Chicken wire, plaster cloth, sheer fabric, and embroidery thread. Morgan Elizabeth Kazi, Emptinest, 2022. Ink on bristol and cartridge. Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. Emily Au, Halved, 2022. Porcelain. Taylor Elliot, Isoloation Online, 2022. Insulation foam, aluminum, wood panel, tablet, USBC charger, wallpaper, curtain rod, and curtain. Erika Selby, Risky Biz, 2022. Digital print. Risky Biz Pt. 2, 2022. Digital print. Ford-Esque 22, 2022. Vegan Tanned Leather, Black Gloss Spray paint. Groovy Baby, 2022. Digital print. Rhythm & Blues, 2022. Digital print.
(From Left to Right) Erika Selby, Groovy Baby, 2022. Digital print. Rhythm & Blues, 2022. Digital print. Kimberley Rogers, PLEASE DON’T TOUCH THE ART, Po, the red teletubby, 2022. Mixed media on Masonite board. Emily Au, Halved, 2022. Porcelain. Kimberley Rogers, PLEASE DON’T TOUCH THE ART, Just Monkeying Around, 2022. Cardboard and hot glue. PLEASE DON’T TOUCH THE ART, Troll Doll, 2022. Mixed media on Masonite board. Hannah Leal, A Monstrous Coming of Age, 2022. Oil and acrylic on canvas, jewelry wire. Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. Sarah Cecchini, Distorted Dreams, 2022. Chicken wire, plaster cloth, sheer fabric, and embroidery thread. Tabitha Holloway, Childhood Revisited, 2022. Fabric and yarn. Nick Taglione, It's All There, 2022. Film photography with manual and digital manipulation.
(From Left to Right) Nick Taglione, It's All There, 2022. Film photography with manual and digital manipulation. Mariah Angel, Within the Woods, 2022. Ink, acrylic and water colour paper. Sarah Cecchini, Distorted Dreams, 2022. Chicken wire, plaster cloth, sheer fabric, and embroidery thread. Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. Morgan Elizabeth Kazi, Emptinest, 2022. Ink on bristol and cartridge. Emily Au, Halved, 2022. Porcelain.
(From Left to Right) Mariah Angel, Within the Woods, 2022. Ink, acrylic and water colour paper. Sarah Cecchini, Distorted Dreams, 2022. Chicken wire, plaster cloth, sheer fabric, and embroidery thread. Hope Johnstone, Out of (Fe)line, 2022. Marker and coloured pencil on drawing paper, yarn, and cardboard. Morgan Elizabeth Kazi, Emptinest, 2022. Ink on bristol and cartridge. Emily Au, Halved, 2022. Porcelain. Taylor Elliot, Isoloation Online, 2022. Insulation foam, aluminum, wood panel, tablet, USBC charger, wallpaper, curtain rod, and curtain. Erika Selby, Risky Biz, 2022. Digital print. Risky Biz Pt. 2, 2022. Digital print.