Main Wall
Item
Title
Main Wall
Description
From left to right, top to bottom:
Mari Brint, END CALL, UNKNOWN CONNECTION I, UNKNOWN CONECTION II, 2020. Acrylic on wood panel. Scarlett Rivett, Behind the Mask, 2020. Watercolour pencil on mylar paper. Rea Kelly, Wood (On each other’s nerves), 2020. Conte, charcoal and graphite on paper. Isabella Saranchuck, Chartreuse. Watercolour pencils on paper. Sydney Bolton, Never Ending, 2020. Graphite pencil, coloured ink pencil on paper. Eden Rioux, Hands That Hold, Bite the Hand That Feeds, The Omniscient Hand, 2020. Pencil, collage, marker and ink on paper. Isabella Saranchuk, Distortion, 2020. India ink on paper. Sydney Bolton, What’s My Identity, 2020. Graphite on paper. Diana Barrientos-Irigoyen, Multi-Dimensional, 2021. Graphite on paper. Devin Brzozowski-Greenwood, Lamps, Birds, and Hawaiian Shirts, 2020. Watercolour pencil and pastel on paper. Isabella Saranchuk, Manipulation, 2020. Watercolour pencil on paper. Maddy Gordon, The Impermanence of Life, 2020. Acrylic on wood Panel. All Image credits: Sarah Martin, 2021.
Mari Brint, END CALL, UNKNOWN CONNECTION I, UNKNOWN CONECTION II, 2020. Acrylic on wood panel. Scarlett Rivett, Behind the Mask, 2020. Watercolour pencil on mylar paper. Rea Kelly, Wood (On each other’s nerves), 2020. Conte, charcoal and graphite on paper. Isabella Saranchuck, Chartreuse. Watercolour pencils on paper. Sydney Bolton, Never Ending, 2020. Graphite pencil, coloured ink pencil on paper. Eden Rioux, Hands That Hold, Bite the Hand That Feeds, The Omniscient Hand, 2020. Pencil, collage, marker and ink on paper. Isabella Saranchuk, Distortion, 2020. India ink on paper. Sydney Bolton, What’s My Identity, 2020. Graphite on paper. Diana Barrientos-Irigoyen, Multi-Dimensional, 2021. Graphite on paper. Devin Brzozowski-Greenwood, Lamps, Birds, and Hawaiian Shirts, 2020. Watercolour pencil and pastel on paper. Isabella Saranchuk, Manipulation, 2020. Watercolour pencil on paper. Maddy Gordon, The Impermanence of Life, 2020. Acrylic on wood Panel. All Image credits: Sarah Martin, 2021.