Galleries
(From Left to Right) Sarah Formosa, Expensive Lessons, 2022. Acrylic on canvas. An Apology Without Change is Called Manipulation, 2022. Looped text on box TV. Kimberley Rogers, Allow me to explain (Because she said so), 2022. Allow me to explain (Maybe it runs in the family), 2021. Allow me to explain (My quarter life crisis), 2022. Zines. Naomi Egbunike, Endless journey, 2022. Oil on canvas. Head of Roses, 2022. Oil on canvas. Charelle St-Aubin, Bon Appétite, Love Mom, 2022. Wood chairs with embroidered cyanotypes. Charelle St-Aubin, Grand-maman, 2022. Print. The Candy Factory Across the Street, 2022. Print. Over the Tracks, 2022. Print. The Bridge by Grandma's House, 2022. Print. Julie Luth, Nothing Can Kill 100% of Germs, Infecting the Everyday, 2022. Interavtive sculpture (thrifted slide viewer, 2x2 slides with dirt, dust, hair, watercolour). Cherilynn Tilley, Shallow, 2022. Acrylic on canvas. Decompose, 2022. Acrylic on canvas. Untilted, 2022. Acrylic on canvas.
(From Left to Right) Sarah Formosa, After Tim Tadder's Nothing to See, 2022. Acrylic on canvas., An Apology Without Change is Called Manipulation, 2022. Looped text on box TV., Red Flag, 2021. Acrylic on cradled panel., Stressed, 2022. Acrylic on canvas. Done With This Shit, 2022. Acrylic and marker on cradled panel., Expensive Lessons, 2022. Acrylic on canvas. Kimberley Rogers, Allow me to explain (Because she said so), 2022. Allow me to explain (Maybe it runs in the family), 2021. Allow me to explain (My quarter life crisis), 2022. Zines. Naomi Egbunike, Endless journey, 2022. Oil on canvas. Head of Roses, 2022. Oil on canvas.
(From Left to Right) Sarah Formosa, After Tim Tadder's Nothing to See, 2022. Acrylic on canvas., An Apology Without Change is Called Manipulation, 2022. Looped text on box TV., Red Flag, 2021. Acrylic on cradled panel., Stressed, 2022. Acrylic on canvas. Done With This Shit, 2022. Acrylic and marker on cradled panel., Expensive Lessons, 2022. Acrylic on canvas. Kimberley Rogers, Allow me to explain (Because she said so), 2022. Allow me to explain (Maybe it runs in the family), 2021. Allow me to explain (My quarter life crisis), 2022. Zines. Naomi Egbunike, Endless journey, 2022. Oil on canvas.
(From Left to Right) Kimberley Rogers, Allow me to explain (Because she said so), 2022. Allow me to explain (Maybe it runs in the family), 2021. Allow me to explain (My quarter life crisis), 2022. Zines. Naomi Egbunike, Endless journey, 2022. Oil on canvas. Head of Roses, 2022. Oil on canvas. Charelle St-Aubin, Bon Appétite, Love Mom, 2022. Wood chairs with embroidered cyanotypes. Charelle St-Aubin, Grand-maman, 2022. Print. The Candy Factory Across the Street, 2022. Print. Over the Tracks, 2022. Print. The Bridge by Grandma's House, 2022. Print. Julie Luth, Nothing Can Kill 100% of Germs, Infecting the Everyday, 2022. Interavtive sculpture (thrifted slide viewer, 2x2 slides with dirt, dust, hair, watercolour).
(From Left to Right) Rabia Choudhary, انعام (Inam), سلمی (Salma), اقصی (Aqsa), اذکئ (Azka), اذکئ (Aisha), حسیب (Haseeb), فیضان (Faizan), رابعہ (Rabia), 2022. Cotton and kozo (Japanese Mulberry) pulps. Sarah Formosa, After Tim Tadder's Nothing to See, 2022. Acrylic on canvas., An Apology Without Change is Called Manipulation, 2022. Looped text on box TV., Red Flag, 2021. Acrylic on cradled panel., Stressed, 2022. Acrylic on canvas. Done With This Shit, 2022. Acrylic and marker on cradled panel., Expensive Lessons, 2022. Acrylic on canvas.
(From Left to Right) Julie Luth, Nothing Can Kill 100% of Germs, Infecting the Everyday, 2022. Interavtive sculpture (thrifted slide viewer, 2x2 slides with dirt, dust, hair, watercolour). Cherilynn Tilley, Shallow, 2022. Acrylic on canvas. Decompose, 2022. Acrylic on canvas. Untilted, 2022. Acrylic on canvas.
(From Left to Right) Rabia Choudhary, انعام (Inam), سلمی (Salma), اقصی (Aqsa), اذکئ (Azka), اذکئ (Aisha), حسیب (Haseeb), فیضان (Faizan), رابعہ (Rabia), 2022. Cotton and kozo (Japanese Mulberry) pulps. Sarah Formosa, After Tim Tadder's Nothing to See, 2022. Acrylic on canvas. An Apology Without Change is Called Manipulation, 2022. Looped text on box TV.
(From Left to Right) Charelle St-Aubin, Bon Appétite, Love Mom, 2022. Wood chairs with embroidered cyanotypes. Charelle St-Aubin, Grand-maman, 2022. Print. The Candy Factory Across the Street, 2022. Print. Over the Tracks, 2022. Print. The Bridge by Grandma's House, 2022. Print.
(From Left to Right) Julie Luth, Infecting the Everyday, Infecting the Everyday, 2022. Before You Touch This Wash Your Hands, Infecting the Everyday, 2022. Interactive sculpture (found objects, spliced 8mm film, dirt, and dust). Naomi Egbunike, Stubboern solitude, 2022. Graphite on paper. Premortem blossoming, 2022. Oil and acrylic on canvas. Charelle St-Aubin, A Place to Share Memories, 2022. Carved wood table. Naomi Egbunike, Horned River, 2022. Oil and acrylic on canvas. Charelle St-Aubin, Soldat Cake, 2022. Old recipe on cyanotype fabric. My Favourite Place, 2022. The Candy Factory, 2022. Across the Street, 2022. Over the Tracks, 2022. The Industrial Route to Grandma's, 2022. Hide and Seek Spots, 2022. Barely Recognizable, 2022. Polaroid emulsion on mylar or paper.
(From Left to Right) Naomi Egbunike, Horned River, 2022. Oil and acrylic on canvas. Charelle St-Aubin, A Place to Share Memories, 2022. Carved wood table. Soldat Cake, 2022. Old recipe on cyanotype fabric.
(From Left to Right) Julie Luth, Infecting the Everyday, Infecting the Everyday, 2022. Before You Touch This Wash Your Hands, Infecting the Everyday, 2022. Interactive sculpture (found objects, spliced 8mm film, dirt, and dust). Naomi Egbunike, Stubboern solitude, 2022. Graphite on paper. Premortem blossoming, 2022. Oil and acrylic on canvas. Charelle St-Aubin, My Favourite Place, 2022. The Candy Factory, 2022. Across the Street, 2022. Over the Tracks, 2022. The Industrial Route to Grandma's, 2022. Hide and Seek Spots, 2022. Barely Recognizable, 2022. Polaroid emulsion on mylar or paper. Charelle St-Aubin, The Bridge to Grandma's House, 2022. Grand-maman, 2022. The Bridge, 2022. Escape From the City, 2022. Scenic Route to Grandmas's, 2022. The Trees behind Grandma's House, 2022. Polaroid emulsion on mylar or paper, framed.
(From Left to Right) Julie Luth, Infecting the Everyday, Infecting the Everyday, 2022. Before You Touch This Wash Your Hands, Infecting the Everyday, 2022. Interactive sculpture (found objects, spliced 8mm film, dirt, and dust). Naomi Egbunike, Stubboern solitude, 2022. Graphite on paper. Premortem blossoming, 2022. Oil and acrylic on canvas.
(From Left to Right) Naomi Egbunike, Stubboern solitude, 2022. Graphite on paper. Premortem blossoming, 2022. Oil and acrylic on canvas. Charelle St-Aubin, A Place to Share Memories, 2022. Carved wood table. Naomi Egbunike, Horned River, 2022. Oil and acrylic on canvas.
(From Left to Right) Rabia Choudhary, سانس (Saans; Breathe), 2022. Acrylic on canvas, 91.44cm x 121.92cm, آکاش (Aakaash; The Heavens), 2022. Acrylic on canvas. Rabia Choudhary, ی الحال (Fil Hal; For Now), 2022. Acrylic on canvas. Sarah Formosa, Exhuastion, 2021. Reliance series. Acrylic and marker on cradled panel. Dead Weight, Reliance series, 2021. Acrylic and marker on canvas. Over Protective, 2021. Reliance series. Acrylic and marker on canvas. Puddled Portraits (1-2), Reliance series, 2022. Acyrlic and marker on cradled panel. Broken All Ties, 2022. Reliance series. Acrylic on canvas. Stripped and Remade, Reliance series, 2021. Encaustics and ink on cradled panel.
(From Left to Right) Kimberely Rogers, As good as gold, 2022. Acrylic paint and liquid gold leaf on plastic mannequin. A penny for your thoughts, 2021. Acrylic paint, hot glue and pennies on plastic mannequins. Maybe it runs in the family, 2021. Acrylic paint, polymer medium, charcoal, and oil stick on canvas. Because she said so, 2022. Acyrlic paint, polymer medium, charcoal, liquid gold leaf and oil stick on canvas. Allow me to explain (My quarter life crisis), 2022. Acrylic paint, polymer medium, charcoal and oil stick on canvas.
(From Left to Right) Sarah Formosa, Exhuastion, 2021. Reliance series. Acrylic and marker on cradled panel. Dead Weight, Reliance series, 2021. Acrylic and marker on canvas. Over Protective, 2021. Reliance series. Acrylic and marker on canvas. Puddled Portraits (1-2), Reliance series, 2022. Acyrlic and marker on cradled panel. Broken All Ties, 2022. Reliance series. Acrylic on canvas. Stripped and Remade, Reliance series, 2021. Encaustics and ink on cradled panel.
(From Left to Right) Cherilynn Tilley, You're Mine, 2021. Acrylic on plywood. Breathe, 2021. Acrylic on canvas. S'il Vous Plaît, 2022. Acrylic multimedia on canvas. Mask, 2022. Acrylic multimedia on cradled panel. Motion Sickness, 2022. Acrylic multimedia on cradled panel. Kimberely Rogers, As good as gold, 2022. Acrylic paint and liquid gold leaf on plastic mannequin. A penny for your thoughts, 2021. Acrylic paint, hot glue and pennies on plastic mannequins. Maybe it runs in the family, 2021. Acrylic paint, polymer medium, charcoal, and oil stick on canvas. Because she said so, 2022. Acyrlic paint, polymer medium, charcoal, liquid gold leaf and oil stick on canvas. Allow me to explain (My quarter life crisis), 2022. Acrylic paint, polymer medium, charcoal and oil stick on canvas.
(From Left to Right) Sarah Formosa, Exhuastion, 2021. Reliance series. Acrylic and marker on cradled panel. Dead Weight, Reliance series, 2021. Acrylic and marker on canvas. Over Protective, 2021. Reliance series. Acrylic and marker on canvas. Puddled Portraits (1-2), Reliance series, 2022. Acyrlic and marker on cradled panel. Broken All Ties, 2022. Reliance series. Acrylic on canvas. Stripped and Remade, Reliance series, 2021. Encaustics and ink on cradled panel. Cherilynn Tilley, You're Mine, 2021. Acrylic on plywood. Breathe, 2021. Acrylic on canvas. S'il Vous Plaît, 2022. Acrylic multimedia on canvas. Mask, 2022. Acrylic multimedia on cradled panel. Motion Sickness, 2022. Acrylic multimedia on cradled panel.
(From Left to Right) Rabia Choudhary, ی الحال (Fil Hal; For Now), 2022. Acrylic on canvas. Sarah Formosa, Exhuastion, 2021. Reliance series. Acrylic and marker on cradled panel. Dead Weight, Reliance series, 2021. Acrylic and marker on canvas. Over Protective, 2021. Reliance series. Acrylic and marker on canvas. Puddled Portraits (1-2), Reliance series, 2022. Acyrlic and marker on cradled panel. Broken All Ties, 2022. Reliance series. Acrylic on canvas. Stripped and Remade, Reliance series, 2021. Encaustics and ink on cradled panel. Cherilynn Tilley, You're Mine, 2021. Acrylic on plywood. Breathe, 2021. Acrylic on canvas. S'il Vous Plaît, 2022. Acrylic multimedia on canvas. Mask, 2022. Acrylic multimedia on cradled panel. Motion Sickness, 2022. Acrylic multimedia on cradled panel.