Bibliography

Bibliography

Acidini, Cristina. “For a Prosperous Florence: Botticelli’s Mythological Allegories”, in

         Botticelli: Likeness, Myth, Devotion, An Exhibition Organized by the Städel Museum,

         Frankfurt Am Main. Ed. Andreas Schumacher, November 13, 2009-February 28,

         2010. Ostfildern, Germany: Hatje/Cantz, 2009, pp. 73-96.

Altrocchi, Rudolph. “The Calumny of Apelles in the Literature of the Quattrocento.” Modern

Language Association, Sep. 1921, vol. 36, no. 3, pp. 454-491.

Baker, Nicholas Scott. “For Reasons of State: Political Executions, Republicanism,

         and the Medici in Florence, 1480–1560.” Renaissance Quarterly, vol. 62,

         no. 2, 2009, pp. 444–78.

Dresden, Sam. Humanism in the Renaissance. Translated by Margaret King, World University

         Library, Weidenfeld and Nicolson Limited, London, 1968.

Dressen, Angela. “From Dante to Landino: Botticelli’s Calumny of Apelles and its Sources.”

         Mitteilungen des Kunsthistorischen Institutes in Florenz, 59. Bd., H. 3 (2017), pp. 324-339.

Even, Yael. “The Emergence of Sexual Violence in Quattrocento Florentine Art.” Fifteenth

         Century Studies, vol. 27, 2002, pp. 113-128.

Ferguson Rambo, Eleanor. “The Literary Inspiration of Botticelli, Pallas and a Centaur.” The

         Classical Weekly, Feb. 4, 1924, vol. 17, no. 15, pp. 117-118.

Frothingham, A. L. “The Real Title of Botticelli’s ‘Pallas’.” American Journal of Archaeology,

         Oct. - Dec., 1908, vol. 12, no. 4, pp. 348-444.

Guicciardini, Francesco. “A Portrait of Lorenzo de’ Medici, 1509”, (from Storie fiorentine, ed.

R. Palmarocchi [Bari: Laterza e figli, 1931]), Translated by James Bruce Ross, in The Portable Renaissance Reader, Edited by James Bruce Ross and Mary Martin McLaughlin, The Viking Press, Inc., 1968, pp. 267-278.

Hankins, James. “From the New Athens to the New Jerusalem: Florence Between Lorenzo de’

Medici and Savonarola”, in Botticelli’s Witness: Changing Style in a Changing Florence.

Edited by Laurence Kanter, Hillard T. Goldfarb, and James Hankins, Isabella Stewart Gardner Museum: Boston, 1997.

Hartt, Frederick and David G Wilkins. History of Italian Renaissance Art: Painting, Sculpture,

         Architecture. 6th ed, Pearson Prentice Hall, New Jersey, 2007.

Lewine, Carol F. “‘Punishment of Korah’ and the ‘Sede Vacante’.” Notes in the History of Art,

winter 1990, vol. 9, no. 2 (winter 1990), pp. 14-18.

Lightbown, Ronald, Sandro Botticelli: Life and Work, (rev. ed.), Thames and Hudson, 1989.

Martines, Lauro. April Blood: Florence and the Plot against the Medici. New Ed., Oxford

         University Press, 2003.

Nethersole, Scott. Art and Violence in Early Renaissance Florence. Yale University Press, 2018.

Pennington, Kenneth. “The Pazzi Conspiracy and the Jurists.” The Prince and the Law,

         1200-1600: Sovereignty and Rights in the Western Legal Tradition. 1st ed., University of

         California Press, 1993, pp. 238-268.

Savonarola, Girolamo, et al. “Politics.” Selected Writings of Girolamo Savonarola: Religion and

         Politics, 1490-1498. Translated and Edited by Anne Borelli, Maria Pastore Passaro, and

         Donald Beebe, Yale University Press, 2006, pp. 138-206.

Schumacher, Andreas. “The Painter Sandro Botticelli: An Introduction to his Oeuvre”, in

         Botticelli: Likeness, Myth, Devotion, An Exhibition Organized by the Städel Museum,

Frankfurt Am Main. Ed. Andreas Schumacher, November 13, 2009-February 28, 2010. Ostfildern, Germany: Hatje/Cantz, 2009, pp. 15-56.

Weinstein, Donald. “Savonarola, Florence, and the Millenarian Tradition.” Church History, Dec.

1958, vol. 27, no. 4, pp. 291-305.